From $89
Bastet keeps upright posture on a worn orange subway bench, gold headdress catching whatever light makes it into the car, while a badger hunches in his coat a few seats down. A sharp-eyed fox watches the doors and an owl stares at nothing in particular, the three of them treated as ordinary commuters next to an ancient goddess. Amber light spreads over windows tagged with graffiti, and an oil-style surrealism keeps the whole scene grounded and a little strange.
The horizontal format works well over a sofa or stretched along a long console table, and warm orange paired with gold, played off deep black, add real presence to a living room without shouting. It's the kind of piece people stop and ask about. Choose from 16x12 up to 60x40, framed in black or left raw, with pricing starting at $89.
Checkout, shipping, and returns are handled by LuxuryWallArt.
Printed on archival-grade, poly-cotton blend canvas with fade-resistant inks rated to hold color for 75+ years. Gallery-wrapped and ready to hang straight out of the box.
Available in sizes from 12x16 up to 40x60 inches, as a 1.25 inch canvas wrap or with a black floating frame.
Free U.S. shipping on all orders. Printed and shipped from U.S.-based facilities. Most orders arrive within 5-10 business days.
A badger hunches in his coat a few seats down from Bastet, who sits perfectly straight on the scuffed orange bench like she's done this ride a hundred times. A fox keeps an eye on the doors and an owl stares off at nothing, both treated as ordinary commuters rather than symbols. Graffiti covers the windows behind them, amber light spilling across the oil-painted scene and giving the whole car a late-night glow.
The mix of ancient goddess and mundane transit setting makes this bastet subway canvas for an eclectic living room a conversation piece more than a background one. As surreal egyptian animal wall art, it fits moody, maximalist rooms better than minimalist ones. Similar surreal pieces sit in the wildlife abstract collection.
An owl, a fox, and a badger fill out the rest of the car, each rendered like an ordinary late-night commuter rather than a mythological figure. The mix of ancient goddess and mundane transit setting is the whole joke and the whole mood of the piece.
It works well there. The graffiti-streaked subway windows and amber lighting give it an urban, late-night edge that a purely traditional Egyptian piece wouldn't have. Moody, eclectic rooms welcome it; sparse minimalist walls will fight it.
